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| 038 Ladies Day (Based on Page Turner by Malika Favre) |

Have you always wanted to paint but are not sure where to start? Or maybe you have bought all of the equipment, painted your first piece and was so embarrassed by it that you have hidden it all away in the loft and given up, but still deep down you want to paint? I am here for you. I intend to showcase the pieces I do and explain simply how I do them. My methods have worked so well for me, maybe you could give them a go, it might prove to be simpler than you expect!
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| 038 Ladies Day (Based on Page Turner by Malika Favre) |

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| 037 Seven year old Me |
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| (fig.1) |
This photo was taken at primary school in 1978 (long before we had to wear a uniform) and it seems like a good choice, but oh good god did I hate that dress?!
I am using my usual technique of printing the picture, cutting it out to make a template and then copying the rest in.
I also decided to paint the background before using the template (fig.1)
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| (fig.2) |
I wanted to put into practice the skills I have learned recently with skin colours and tones. I started off as usual by painting the base colour (fig 1). This is
Pebeo Acrylic Paint in a 59ml bottle called 'Soft Skin' Matt.
Because the background was quite dark in this case, I needed to do a few layers of this base colour (waiting for each layer to dry, before applying the next) to give a really good covering. If you have to do this be careful not to 'cake' the paint on. This will show through and at the end when it is completed the overall finish of the piece can look tacky and very noticeable. Apply the paint in small amounts and really spread it out.
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| (fig.3) |
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| (fig.5) |
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| (fig.6) |
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| (fig.7) |
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| 036 Elephants on the Plains |
This project has been done in exactly the same way as my 'African Savannah' that I finished at the end of May and I have even used the same tree template I made then. I am hoping that the 'African Savannah' piece will be sold in the Charity Sale at the Hobbycraft store in Newbury so I made a similar piece for my own collection or to sell elsewhere. It was still experimental as I wanted to see how similar to my original I could get it. Bearing in mind that I wanted to make it physically different everything else is pretty close. If I do manage to sell the four that have been donated, and I hope I do, I could quite easily do them again for maybe other charities too.
So of course, the first thing to do here was the taping of the border and then the Sun. We need to make sure that a piece of canvas that is sun-shaped is kept pure white so that it can stay the nice bright focal point of the piece. It would be no good painting the sky and then trying to put white or yellow over it, as the orange and reds would just show through. I used the same technique as last time drew around a 5p piece and carefully trimmed around it. I then placed it on the bare canvas where the sun will be.
After painting in the sky using Violet, Red, Orange and Yellow paints (making sure of course that the brightest part of the sky was nearest to the dot) it was time to allow it to dry and then remove the dot. It can be a little tricky to find the edge and also you don't want to scuff your beautiful sky. I did end up doing that on this one and had to touch it up, but you just need to take a little care and have patience. I still think using the corner of a craft knife works well.
On this piece I painted the outer edge of the circle Yellow and the rest was white. I couldn't remember exactly what I did last time. But comparing photos now, I painted it all white last time and I think it looks better that way too.
Next I got my templates ready. The Tree was reused from the 'African Savannah' and I found a picture online of a Mother and Baby Elephant. Perfect.
The picture above shows them taped into position ready to draw around.
And now it is time to remove the templates and fill in all the lines. I used Winsor and Newton's Mars Black for this with a few drops of Daler Rowney Flow Enhancer mixed in. This photo was taken while colouring it in.
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| 035 Moroccan Arches |
A simple quick piece which ended up taking the whole day!
Beach Beauty |
I always tape my flat canvas panels to a piece of larger board. I find it easier to work without an easel but I have a desktop sized one for when it is needed. Taping the panel to a board gives you handling room. As I don't use the easel I hold my canvas all the time so having it mounted onto a larger board keeps finger marks from your finished piece. To Mount it I put Masking Tape around the edges of my canvas panel, at a width of about 5mm and pressed it down firmly to give a nice crisp and clean frame.
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| This pic shows the template cut out ready to draw around |
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| This pic shows the positioning of temporary tape to hold template in place |
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| Rosa fills in the gaps of the template |
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| Basic outlines are drawn |
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| The basic image is now transferred to the canvas panel |
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| 034 Beach Beauty (based on California Beaches poster by Maurice Logan) |
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| 033 Leaves Tropicale |