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042 - Marilyn |
So with this one I decided to paint the whole canvas panel with Titanium White to begin with, before even putting on the Masking Tape borders. After it had dried it gave the canvas a bit of a yellowy tinge. I thought it was probably what Gesso (a primer) is but I am not sure that is correct. I am yet to discover if Gesso is worth doing or not. Painting the canvas panel white to begin with certainly has made a smoother surface to draw upon.
I guess the only way I can learn if Gesso makes a difference is to buy some and try it out.
I have drawn around my template of Marilyn Monroe and drawn in other details too. At the moment she looks very goofy and frightening but remember this is a rough guide. I always try not to put in too much detail at this point as it can bog you down and I like to try and keep it nice and simple.
The skin of the face and neck areas are first painted with 3 coats of the Base Colour. The Eyebrows and Lips have been coated in one layer of the base colour. And with every new layer will be now left clear until painting those areas.
Warm Glow has now been added.
Highlights are now added. On the right cheek in this pic it looks as if I have added some darker shading but is where the paint has smudged the pencil.
On top of the Highlights layer I added a Titanium White layer too. I then added the Light Shadows.
And in this photo above I have now added the Darker Shadows. I am having a break from it at the moment but as I always do, I am sitting back and examining photos of my work and I can easily pick out areas that need extra attention. The main one so far is the Right Brow area looks the wrong shape. I'm haven't quite made up my mind yet but I think the dark shadows might be a little too dark. I also want to try and make the skin look smooth. Marilyn Monroe was such a glamour icon I do not want her skin to look lumpy and bumpy with craters! It is quite a challenge but it is one I am enjoying.
I went back to Marilyn and corrected the eyebrow on the right and then carried on with all the facial features. And as I thought as soon as the eyes were there the whole face just came alive. Mega pleased with this so far. There is absolutely no mistaking who this is meant to be a painting of.
Now I will look at my latest photo and see again if there is anything that needs adjustment.
It is good for me to be critical as it makes me do the very best painting that I can. But I have learnt to only start work on the adjustment after much thought of exactly what course of action to take.
It is very strange how I can only spot the areas needing extra work when I am looking at a photo of it. I guess, where I am looking at the actual piece in such detail while working on it I am not looking at it as someone else will. The photo shows it as a whole and any adjustments normally present themselves within the first few seconds of examination.
After close inspection of this piece, I think the Mouth in its left corner looks a little awkward and also the space between the eyes at the bridge of the nose needs to even up a bit too. Marilyn had the perfect facial bone structure, but so far this Marilyn does not. 😊
So this morning I have worked on the areas which I highlighted as needing work. They have made strong but subtle differences. I will now leave the bottom left lip alone as I don't think I can improve that area any more. The bridge of the nose still needs something and what really stands out to me during this inspection was the left highbrow maybe needs extending more. The jury is still out on that at this present time.
One area I will work on next is the Philtrum area between the nose and the top lip. The centre of the Cupids Bow is a few millimetres off from where I think it should be. This shouldn't be a huge job but I must have a clear idea of what action to take before starting. I should only need to use both lip reds and the 'highlight' skin colour to rectify this.
Hopefully the picture above demonstrates what I mean about the Philtrum area.
It may well be only a small detail but once I had spotted it I just had to change it as I would forever be drawn to it. I think it looks a lot better for the change too. I have finished the face for now. The finishing touch to this piece will be the beauty spot mole on the right cheek. It has not been forgotten.
So as you can see I have decided to leave the face alone now and this afternoon I have been working on Background, Shoulders and her Top. The Shoulder on the right needs a little more highlighting with Titanium White which I have noted from this last photo.
I have now made a start on the hair. This will need as much work as the face has has had. I started off by using brown to mark the darker areas of the hair and then went over all the hair (including all brown areas) with the Highlights (Skin Tone). This seems to have fitted the colour match very well. I have also used some cream that I had already mixed and have used titanium white for hairs highlights. There is a lot of detail to work on here, so I really do not want to rush this stage.
In fresh daylight this morning I have carried on working on Marilyn's Platinum Blonde hair. There are a lot of colours used in here. Yesterday I used some dark brown on shady areas and today I have painted over them relying on the dark to show through and lighten the shade. It is working well.
Maybe the hair doesn't need as much work as I previously thought. I think it could be very easy to overdo it. At the moment, on the hair there is nothing jumping out at me saying it needs improvement either.
I went on from here to tidy up what was left and finished up around the ears, earrings and beauty mark. Really very happy with it!